CAPTAIN AMERICA SUPER SOLDIER SHIRT HOW TO

вЂњSo I would turn up on set each day,вЂќ says Townsend, вЂњand discuss the scene and the script and Joe would say, вЂOh, donвЂ™t really go by the script.вЂ™ And I would say, вЂOKвЂ¦вЂ™.

Townsend notes that although previs and certainly storyboarding was used, they were just part of the planning process for various shots and not followed to the letter. Prior to Captain AmericaвЂ™s release, Joe Johnston had gone on the record to say that he would not be relying on significant previs for key scenes. Planning and previs Original plate Final shot

CAPTAIN AMERICA SUPER SOLDIER SHIRT HOW TO

ItвЂ™s not just a ten per cent reduction in scale or thinning up вЂ“ itвЂ™s gaunting up his face, reducing any healthy skin underneath the chin, sinking in the eyes a little bit more, thinning the neck, adding in some shadows on clothing.вЂќ Ultimately, Lola completed the Skinny Steve effect mostly via 2D compositing, but also with a number of other techniques, body double reference and CG work.ДЇor an in-depth look at LolaвЂ™s work for the film, check out Mike SeymourвЂ™s article: Case study: How to make an American wimp. вЂњAnd we then based our entire shooting on that, and would capture Chris EvansвЂ™ performance on set, and the only thing we would be doing would be reduce his size down. вЂњThey came back with some pretty phenomenal results,вЂќ adds Townsend. вЂњWe took a really big guy and smaller guy and we said, вЂMake the big guy look like the smaller guy.вЂ™ We did that with a shirt on and off, and wanted to see what they could do with mesh warping and 2D manipulation.вЂќ вЂњWe asked Lola to do a test which we shot in England,вЂќ says Townsend. A number of approaches were considered to complete the final effect, including doing a fully CG head, 3D projections and head replacements, before the 2D manipulation approach was tested. вЂSkinny SteveвЂ™ would be an effect completed by Lola VFX and one of the most challenging aspects of the production. Chris Evans played both Rogers as a skinny man and as the superhero. RogersвЂ™ determination is finally rewarded when he is picked for a top secret вЂsuper soliderвЂ™ project, transforming him into Captain America and eventually taking on a Johann Schmidt (Hugo Weaving) and his Nazi research department, HYDRA. In the film, soldier hopeful Steve Rogers (Chris Evans) makes repeated attempts to enlist for military service but is rejected for being small, skinny and sickly. вЂњWhen we read the script and spoke with Joe Johnston,вЂќ recalls Townsend, вЂњwe came away saying, вЂOh, itвЂ™s not an effects movie, then.вЂ™ There are a lot of shots, but itвЂ™s still not a big effects movie, itвЂ™s more of a character piece and an origin story about how a skinny guy becomes Captain America.вЂќ Skinny Steve Visual effects supervisor Chris Townsend and visual effects supervisor Mark Soper, along with Method London VFX supe Stephane Ceretti, led the worldwide effects effort on the film. With that in mind we present a look at the work of several of the studios for Captain America.Д¬onceiving an old-fashioned comic book outing for MarvelвЂ™s Captain America: The First Avenger вЂ“ set mostly during World War II вЂ“ director Joe Johnston still relied on just shy of 1600 visual effects shots, and more than a dozen vendors for the stereo release. One of the fun panels we attended at SIGGRAPH 2011 in Vancouver covered the VFX in Marvel films Thor and Captain America: The First Avenger.

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